On Threesome, Baby Boys' enduring "yes to everything" mantra yields a snapshot of anarchic studio improvisation distilled into just ten tracks. Recorded at BJ Burton's (Charli XCX, Bon Iver) Minneapolis studio after Burton left for Los Angeles, the entirety of Threesome came together in one week of 2pm to 6am studio sessions.
The chemistry between the three in the studio has been well-documented outside of the band, too – Hinz, Luppen, and Stocker were the production team behind some of 2020’s most iconic breakout albums, including Samia’s The Baby and Miloe’s Greenhouse EP. But Threesome marked the first time Baby Boys had free rein of a professional studio for their own use, allowing the trio to be fully immersed in assembling its world. Baby Boys is just the essence, then: a drama-free distillation of ideas. Luppen and Hinz handle nearly all of the programming, while Stocker is the main go-to for the analog instruments (guitars, banjos, and keys), and Hinz then sculpts it all together. They trade vocal duties off the cuff and in the moment; all of them sharing one microphone, typically whoever’s able to spit out a melody idea or vocal part the fastest gets control. The result is genre-bending mischief-pop: an amalgamation of busted-up iPhone memos and nonlinear lyrics colliding with erratic sonic landscapes. “Being able to put aside everything else for a second and appreciating what you have is so freeing,” says Hinz, summing up Threesome succinctly. “And so Baby Boys.”